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For Immediate Release

Pulitzer Prize-Winning Author Douglas Blackmon’s Documentary “The Harvest”

Delves into His Experiences as Part of Mississippi’s First Integrated

Public School Class in 1970

Free Atlanta Premiere at Rialto Center for the Arts on Sept. 7

Documentary Also Premieres Nationally on PBS Award-Winning Series

“American Experience” on Sept. 12

ATLANTA — Pulitzer Prize-winning Atlanta-based author Douglas A. Blackmon looks back on his experience as a member of the first class of Black and white children to attend all 12 grades together in Leland, Miss., in his new documentary, “The Harvest.” The film has already been named a finalist for the Library of Congress Lavine / Ken Burns Prize for Film. [Press photos and videos are available here.]

The Atlanta premiere of the documentary will take place at the Rialto Center for the Arts on Thur., Sept. 7 at 6:30 p.m. The ticketed event is free and open to the public. Tickets are available now through Georgia Public Broadcasting HERE. The evening will include a post-film panel moderated by Dr. Clarissa Myrick-Harris, professor of Africana Studies at Morehouse College, and with “The Harvest” producers, Blackmon and Academy Award-nominated documentary filmmaker and producer Sam Pollard.

Additional screenings of “The Harvest” are taking place in Leland and Jackson, Miss., Little Rock, Ark. and Washington, D.C., with more to be announced.

Executive produced by Cameo George, “The Harvest” is a deeply personal depiction of one Southern town’s painful struggle to integrate its public schools and the continuing repercussions still felt more than 50 years later. The film was produced in cooperation with Georgia Humanities, and the Atlanta premiere event is supported by The Wilbur and Hilda Glenn Family Foundation and The Rich Foundation.

The film will also premiere on the PBS award-winning series “American Experience” Sept. 12 at 9 p.m. ET (check local listings),including locally on GPB. The broadcast is part of a special two-night event exploring the mixed legacy of school integration on PBS, and the PBS App. “The Harvest” will be preceded on PBS by the premiere of “The Busing Battleground” on Sept. 11.

After the 1954 Supreme Court’s landmark Brown v. Board of Education decision ruled that racial segregation in public schools was unconstitutional, little more than token efforts were made to desegregate southern schools. That changed dramatically on Oct. 29, 1969, when the high court ordered Mississippi schools to fully — and immediately — desegregate. As a result, a group of children, including six-year-old Blackmon, entered school in the fall of 1970 as part of the first class of Black and white students who would attend all 12 grades integrated together in Leland, Miss.

“It’s taken 10 years to finally finish this very personal film. It’s about my Mississippi hometown, the children I grew up with, pathways they followed to become heroic men and women today, our parents and teachers facing a challenge they could never have fully imagined, remarkable acts of principle and bravery, villainy, inevitable human mistakes, a loss of innocence personal and writ large, all in the face of what remains the greatest paradox of American life,” said Blackmon. “We have made so much progress over the past 50 years toward genuine human equity, yet still our society is tortured by racial injustice and the danger it poses to us all.”

“Georgia Humanities is proud to support 'The Harvest.' The film not only shines a light on a significant chapter here in the South, but also challenges us to learn from our shared history to build a brighter and more inclusive future,” said Georgia Humanities Vice President Kelly Caudle. “This screening is only the beginning, as we, over the next year, will be uncovering more of Georgia’s desegregation stories.”

Set against vast historic and demographic changes unfolding across America, “The Harvest” steps back in time to explore Mississippi’s brutal history of racial intolerance and segregation — a world in which schools for Black children were not only separate but deeply underfunded, often inaccessible, and sometimes nonexistent.

“The Harvest” follows the brave coalition of Black and white citizens who worked to create racially integrated public schools in the most unlikely place: a 1960s cotton town in the middle of the Mississippi Delta, the most rigidly segregated area in America. It tells the extraordinary story of how that first class became possible, then traces the lives of Blackmon and his classmates, teachers and parents through high school graduation in 1982. It is a riveting portrait of how those children’s lives were transformed and how the town — and America — were changed. But as the film follows the lives of those children into the present, it is also a portrait of what our society has lost in its failure to finish the work begun a generation ago.

Narrated by Blackmon and featuring candid interviews with his fellow pupils and others, the film follows the experiences of his class through school integration, deep friendships and awkward separations, in classrooms and on playgrounds, in plays and athletics, at homecoming and graduation. The film reveals that while many interracial friendships were formed in school, racial divisions often still existed outside the classroom.

Moving into the present, “The Harvest” discovers that the success of those first years of integration has gradually fallen apart. In the 50 years since Blackmon and his classmates began first grade, the local economy faltered and white families almost entirely abandoned public schools. And, as the schools once more became racially divided, the town’s racial divisions have deepened. But even amid those disappointments, many members of that first class have returned to Leland, committed to giving back to their community. Blackmon finds hope in the lives of his classmates, who have gone on to become the town’s police chief, a federal judge, an Army colonel, a high school deputy principal, and a school superintendent. Through the story of Leland, “The Harvest” paints a fascinating portrait of one town and one extraordinary class of students, and offers a timely look at the continuing challenges of racial division and education equity still facing America today.

American Experience “The Harvest” will stream simultaneously with broadcast on all station-branded PBS platforms, including and the PBS App, available on iOS, Android, Roku, Apple TV, Amazon Fire TV, Android TV, Samsung Smart TV, Chromecast and VIZIO. The film will also be available for streaming with closed captioning in English and Spanish.


Rialto Center for the Arts, Georgia State University

Thur, Sept. 7 | Doors: 6 p.m. | Screening: 6:30 p.m.

* Reserve free tickets at Georgia Public Broadcasting

American Experience The Harvest

Produced by:



Edited by:




Cinematography by:


Original Score by:


Written by:


Executive Producer, Five Dollar Films:


A Five Dollar Films Production in Cooperation with the Georgia Humanities Council for American Experience

American Experience is a production of GBH Boston

Executive Producer, American Experience:


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  • Billy Barber, Leland High School student and Chief of Police.

  • Bob Blackmon, pro-integration activist and Douglas Blackmon’s father.

  • Bryan Blackmon, Leland High School student and Douglas Blackmon’s brother.

  • Sarah Blackmon, math teacher in the integrated Leland High, community activist and Douglas Blackmon’s mother.

  • Cedric Bush, Leland High School student and current Washington County Justice Court Judge in Leland.

  • Lincoln Coggin, Leland High School student.

  • Betty Coleman, teacher, working initially in Leland’s all-Black schools and then, after integration, in the racially mixed public schools.

  • Jessie King, Leland High School student and current Superintendent of Leland’s Schools.

  • Jim Lacey (deceased), editor of the Leland Progress in the 1960’s and ’70s.

  • Kevin Magee, Leland High School student.

  • John McCandlish, Leland High School student.

  • Evelyn Gordon Murray, Leland High School student and member of the School Board in Leland.

  • Bob Neill, an organizer of the all-white private academy established in 1969 to preserve segregation.

  • Pamela Pepper, Leland High School student and U.S. District Court Judge in Wisconsin.

  • Van Poindexter, Leland High School student and former U.S. Army colonel.

  • Donald Richardson, Leland High School student, is assistant principal at the historic Little Rock Central High School in Arkansas.

  • Veronica Richardson, Donald Richardson’s mother.

  • Edna Scott (deceased), was principal of the all-Black elementary school at the time of integration, and later served as principal of the integrated elementary school after 1969.

  • Vernice Sanders, parent and activist before and after integration.

  • Brandon Taylor, Leland High School student and Leland’s School Board President.

  • Jerald Jones Woolfolk, Leland High School student and former President of Lincoln University.

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Major funding for American Experience provided by the Corporation for Public Broadcasting, Liberty Mutual Insurance, and the Alfred P. Sloan Foundation. Major funding for ”The Harvest” provided by the National Endowment for the Humanities: Democracy demands wisdom, W.K. Kellogg Foundation: A Partner with Communities Where Children Come First, the Arthur Vining Davis Foundations: Investing in Our Common Future, members of The Better Angels Society including The Fullerton Family Charitable Fund, and Chasing the Dream, a public media initiative from The WNET Group, reporting on poverty, justice, and economic opportunity in America. Additional series funding for American Experience provided by the Robert David Lion Gardiner Foundation, the Documentary Investment Group, and public television viewers.

In partnership with Georgia Humanities, the Wilbur and Hilda Glenn Family Foundation and the Rich Foundation of Atlanta have also provided generous support for public engagement, conversation, and educational resources related to the film and to Georgia's own stories of school desegregation.

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Douglas A. Blackmon (Writer, Producer) is a Pulitzer-Prize winning author, journalist, and filmmaker. His first book, Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II, won a Pulitzer Prize in 2009 for its searing revelation of a largely forgotten system that continued to hold African-Americans in forced labor after the Civil War and persisted deep into the 20th century. He was also co-executive producer of the acclaimed documentary film based on Slavery by Another Name, which premiered at the Sundance Film Festival in 2012, attracted more than five million viewers in its first broadcasts on PBS, and continues to be regularly rebroadcast on public television stations across the U.S.

Blackmon and a team of other reporters at The Wall Street Journal were finalists for a Pulitzer Prize in 2011 for coverage of the BP oil spill in the Gulf of Mexico, and he was a member of the Journal staff awarded a Pulitzer in 2002 for coverage of the 9/11 terror attacks. Over the course of his career in journalism, he has witnessed and written about some of the most important events of our time, including the fall of the Berlin Wall, multiple U.S. presidential elections, natural disasters such as Hurricane Katrina, post-Apartheid South Africa, and war crimes during the civil war in the former Yugoslavia.

From 2012 until 2018, Blackmon was a member of the faculty and a senior fellow in presidential studies at the University of Virginia, and host of American Forum, a 30-minute television interview program carried nationwide every week on more than 250 public television stations. Currently, he directs the Narrating Justice Project at Georgia State University in Atlanta, where he also serves as a Professor of Practice in the Creative Media Industries Institute.

Sam Pollard (Producer) is an accomplished feature film and television video editor, and documentary producer/director. Between 1990 and 2010, Pollard edited a number of Spike Lee’s films, including Mo’ Better Blues, Jungle Fever, Girl 6, Clockers, and Bamboozled. Pollard and Lee co-produced a number of documentary productions for the small and big screen: Four Little Girls, a feature-length documentary about the 1963 Birmingham church bombings, which was nominated for an Academy Award, and When The Levees Broke, a four-part documentary that won numerous awards, including a Peabody and three Emmy Awards. Five years later, in 2010, he co-produced and supervised the edit on the follow-up to Levees, If God Is Willing And Da Creek Don’t Rise.

Since 2012, Pollard has completed as a producer/director Slavery by Another Name, a 90-minute documentary for PBS that was in competition at the Sundance Festival; August Wilson: The Ground On Which I Stand, a 90-minute documentary in 2015 for American Masters; Two Trains Runnin,’ a feature-length documentary in 2016 that premiered at the Full Frame Film Festival; and Sammy Davis Jr., I’ve Gotta Be Me, also for American Masters, which premiered at the 2017 Toronto International Film Festival. In 2019, Pollard co-directed the six-part series Why We Hate, which premiered on The Discovery Channel. In 2020, he was one of the directors on the HBO Series Atlanta’s Missing and Murdered: The Lost Children. That year he also completed MLK/FBI, which premiered at the 2020 Toronto Film Festival and the New York Film Festival.

Pollard lives in New York but spent much of his youth visiting Mississippi, the home of his father’s family.

Cameo George (Executive Producer, American Experience) is an Emmy Award-winning producer, writer and journalist with more than 20 years of experience in documentary, broadcast television and digital content production. George has produced, developed and commissioned innovative programming at CNN, NBC News and ABC News. She was the senior producer of CNN’s groundbreaking series Black in America and Latino in America and executive producer of the eight-hour PBS documentary series 16 FOR '16: THE CONTENDERS, which was also broadcast on the BBC. George joined American Experience from ABC News, where she was head of development for long-form projects, responsible for creating a pipeline of docuseries and feature documentary films across Walt Disney Television platforms, including ABC News, Hulu, National Geographic and Disney+.


Georgia Humanities is a nonprofit organization that connects people and communities to inspire conversation, education, and understanding. With programming that engages all ages and backgrounds, Georgia Humanities encourages Georgians to explore what shapes us as individuals and binds us as a society. Funding for Georgia Humanities is provided by the National Endowment for the Humanities, the Georgia General Assembly, and various foundations, donors, and partners. For more information, please visit


For 35 years, American Experience has been television’s most-watched history series, bringing to life the incredible characters and epic stories that have shaped America’s past and present. American Experience documentaries have been honored with every major broadcast award, including 30 Emmy Awards, five duPont-Columbia Awards and 19 George Foster Peabody Awards. PBS’s signature history series also creates original digital content that innovates new forms of storytelling to connect our collective past with the present. Cameo George is the series executive producer. American Experience is produced for PBS by GBH Boston. Visit and follow us on Facebook, Twitter, Instagram and YouTube to learn more.

“The Harvest” is distributed internationally by PBS International.


The Rialto Center for the Arts at GSU is the cultural centerpiece of downtown, located in the heart of Atlanta’s historic Fairlie-Poplar district. Thanks to GSU acquiring and refurbishing the building in 1993, and revitalizing the district, the Rialto has stood at the corner of Forsyth and Luckie Streets for over 100 years. Today, the intimate, 833-seat performing arts venue is home to the Rialto Series, featuring the best of Indigenous and international jazz, world music and contemporary dance, as well as Georgia State’s School of Music performances. In spring 2023 the venue marked a return to its cinema roots with the installation of a new state-of-the-art screen and digital projector.

The Rialto is the go-to venue in downtown Atlanta for other arts organizations’ performances, visiting production companies and independent film screenings. In addition to the highly acclaimed Rialto Series, the Rialto is committed to serving the community through its extensive education and outreach programs, guided by its mission to advance creativity, innovation and the boundaries of imagination through engaging arts, education and entertainment. The Rialto earned its reputation as the place where Atlanta meets the world through its one-of-a-kind international programming, bringing together diverse communities and creating conversations about culture, art and history. In 2022, the Rialto Center was nominated for a Southeast Emmy® for a long-form online performance broadcast. Visit to learn more.

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